Organization: O.F.O.N.(Mountaineering
Naturalist Group Nice)
free entry
Dimitra Christodoulou reading her
poetry
The guitarte
ensemble performing J.S. BACH’S ¨Musical Offering¨.
At the violin Nattassa Miliori.
"Clasical
Musicians... in our yard"
It's about five separate concerts with
the general title
«Clasical musicians...in our yard»
In Thusday 3rd June 2008 9.00p.m.
guitarte
ensemble will present «The accursed serpent» of Manos Chadjidakis…J.S.
BACH’S ¨Musical Offering¨….and works of Michalis Keffalas and Nino Rota.
Greek
traditional funeral songs "The
poetic look of the last goodbye"
"Theatre of 4rth High School of Nice"
Thusday of Passion Week in 22 of April 2008 at 21:00p.m.
Organisation: O.F.O.N.(Mountaineering
Naturalist Group Nice)
A representative presentation
of the funeral words
from Homer to the modern history of Greece
Storryteller: Dimitris Sklavenitis
Actors: Dimitra Vamvakari, Marouso Georgopoulou,
Christina Kotalidou
Το guitarte
ensemble will interpretated works of Th. Antoniou, Anti. Evagelatos,
G. Konstantinidis, Μ. Kalomiris, Μ. Theodorakis and M.
Chadjidakis.
At the violin and songs Nattassa Miliori.
“The accursed serpent” by M. Hadjidakis at the theatre
"Down the bridge"
28 June 2007
" Kokkinia Bloko Mantra Theater"
Time: 9:00 p.m
Organisation: O.F.O.N.(Mountaineering
Naturalist Group Nice)
Factors :The
Musical ensemble guitarte
the puppeteer Athos Danelis, texts
of Antonis Petratos, figurative-scenic intervention
Sofia Houliara
19
October 2006
"Tea in the Sahara " Music Hall
21 September 2006
«Kokkinia Bloko Mantra Theatre»
7 July 2006
«Guitar days festival»(3-9
July Santorin)
27 March 2006
"Moschato State Conservatory"
(Extract from the program)
… our interest for the modern music is intense.
Us attracts more from anything other the primary creation in present
time.
A music that is written today and played today constitutes the
quintessence of our artistic search.
Opposite in the "Modern music" as musicological term, we keep a
discreet distance and occasionally a critical attitude,
Distance we keep from the fixations or even religionists of
"faculties", technical ways and "properties",
Our critical attitude is signaled by the permanent and constant
need, our music making sentiments. So our choices are few and
careful.
In the person of composer George Vasilanonakis we met a most
excellent "craftsman of" sounds and feelings. Moreover, his deep
knowledge for the body that we play was guarantee for a "common
language" and efficient practice toward a particularly exigent work,
full thin nuances but also abundance of musical ideas.
Having up to today the "experience" we have presented a widest range
of work that has been written (or me') for guitar ensembles, we felt
(all those who we worked for this work) that with the 6 miniatures
G. Vasilanonakis it can open a street for a section in the modern
repertory of guitar.
8 February 2006
"International Artistic Centre
and Conservatoire Athenaeum "
